Here are some thoughts to help you make your break in radio, produce a compelling demo and write for radio like a professional. Let me know how you go forward in your journey!
Breaking into radio session
- Answering the telephones
- Spot the opportunities
- Do not give up
- Passion for radio
- Latching onto someone
- Right place at the right time, finding the place
- Relatable, tight and focus
- Know where you want to go
- Understand the nuts and bolts of the station, managing, the accounts and engineering
- Do what you say you want to do
- Connecting with listeners
- Reithian laws – educate, entertain and inform
- Local, regional, national and international
- The way we tell a story
- Independent production companies
- Research
- Think about what your going to say
- Catch people at the beginning
- Lean forward radio (radio that makes you want to keep listening)
- Wild track
- Using breaths to assist with bad edits
- Tone – right for the audience
- Content – what is in the programme
- Colour – sound effects
- Brainstorm with others
- Be interested in everyone you meet
- Make podcasts and vodcasts
Demo workshop
- Intro – good hook
- Summarise demo
- Relevant to the station
- Variety of content
- Well produced
- Contact details on cd
- 2-5 mins
- Clarity
- Put yourself in the shoes of the person that you are sending it to
- News bulletins and or montage
- Get the best part of the material
- Contact programme controllers – find out what they want to hear
- More of the presenter – not just the basics
- Do not waste time setting up the demo in the first 30 seconds
- Attention to detail
- Experience then education, try to fit on one page, make relevant to what your applying for
- Name, number and email on cd
- Name and number on mp3
- Make absolutely perfect
- Edit out links of music (do not play more than 30 seconds of music)
- Creativity – convey ideas – lively – interesting
Writing for radio
- The only creative boundary is the imagination
- The pictures are clearer on radio
- Audio colour
- The extra dimension – thought
- The orchestra
- The audience – write and speak on personal one to one basis
Radio is not just words
- Music
- Sound effects
- Voice variety
- Silence
The basics
- Plan ahead – intro needs to be concrete
- Write for speech – less proper, more friendly
- Punctuate for pace
- Include clear directions/ cues
- Write to time
- Read you script aloud
- Edit, edit and edit again
Use the listener’s mind
- Imagination
- Emotion
- Tension/ anticipation
- Repetition
News bulletins need to change, not remain the same
Audience and style – writing for target audience and house style
